Alessandro Cipriani

Sound and Image: losing the borders

First Part

-CINEMA: SENSORIAL INCOMPLETENESS AND AMBIGUITY

-THE SPACE BETWEEN SOUND AND IMAGE
Perceptive void, metaphorical use of sound, multi-dimensional movie, “activation” of the spectator

Examples from movies by:
David Lynch, F.F.Coppola, Sergio Leone, Jean Renoir, Jim Jarmusch, Jacques Tati, Lars von Trier, Derek Jarman, Dziga Vertov

Second Part

-MUSIC, DIALOGUE AND SOUND ENVIRONMENT: LOSING THE BORDERS AND SEMANTIC MANIPULATION OF SOUND

-INDIVIDUAL COMPOSITION VS. COLLECTIVE COMPOSITION
Sharing or sharing out (roles and functions, sound material, sequences)
Losing the sense of belonging of your sound material

-Audio-visual excerpts from:
Edison Studio's live computer soundtracks for "Das Cabinet des Dr.Caligari" (1919) by R.Wiene, "The Last Days of Pompeii" by E.Rodolfi (1913) and Dante’s “Inferno” by G.De Liguoro, F.Bertolini, A.Padoan (1911)

Third Part

Master Class: Presentation of Corfù students' works (music, multimedia, analysis etc.) and discussion with Prof. Cipriani.